Wednesday, August 26, 2009

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CARD NO TO ALL OF THE FAN

pass the fan - just a tool of repression and freedom-killing, needless to safety. Declaration of Italian
Saturday, National Centre for the Suppression of Prc-Se.
The card's fan is another piece of design freedom-repressive and implemented in recent years to the detriment of the fans and the entire sport. No wonder the insistence of the Minister Maroni to accelerate the set up of such a tool, as it fully meets the logic of the League and the government to control all sections of society through mechanisms rigid and often unconstitutional. Is unconstitutional and the same ticket, which would not be granted to those who have suffered in the past and served the formal notice of Daspi. That is, you can refuse entry in a public facility, as are the Italian stadiums, just because someone suspected of being potentially dangerous. In short, a punitive measure for a lifetime. Just as the prohibition of the banners, this decision is part of the transforming power of football to play in place of business accessible only to a few selected customers. If then the audience will be less and less can only be pleased to Pay TV, including which Mediaset and Sky, which will multiply the subscribers as it did in recent years. We ask the Government to consider the negative consequences that would pass, especially in terms of accidents that would move just outside the stadiums, and starting to open a serious dialogue with the fans to start educational programs in schools and sports facilities visited by young people.

Thursday, August 13, 2009

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MORNING WOMEN'S ROMAN

The revival of the ancient times it was usually at dawn, when life in the City took over in the midst of his rhythms, causing a deafening noise. In the bedroom there stood little, this being a small and not very welcoming: the lack of furniture cubiculum usually include a bed ( cubilia ) a chest for clothing and personal belongings ( ark), the chamber pot ( lasanum ) and a rug ( toral ) who completed the furnishings.
use was to go to bed with clothes, so it was hardly what was required to put on a woman before going out, just the ball and tunic, which were carefully arranged, just before presenting to the world had to undergo the long and complex chain of morning toilet.

It began with the care of the teeth using a toothpaste soda and sodium bicarbonate, to defer to those who, while having a smile resorted to the use of powdered pumice, Chios mastic or even urine. Then they began

skin care with the face masks that as belief in those days were more effective if based on organic substances. And so here's recipes for: deer antlers, droppings of birds; placenta, genitals and gall, dung and urine of calves, cows and bulls, donkeys and sheep, mice. All these ingredients to buy some of their prerogatives were mixed carefully by expert hands with oil, goose fat, juice, basil, oregano seeds, hawthorn, sulfur, honey and vinegar. A recipe rather curious we heard from Galen, who praised the great qualities of a mask made of crocodile dung. Better then that plant-based, he has always recommended using honey, incense, acanthus, cypress wood and oak, melon and red algae.

But others were known, made from lentils, honey, barley, lupins, with the addition of fennel essence of rose and myrrh.

Very important then it seems he was the implementing rules required to get the real effect: it seems, for example, that the form of urine donkey did effect only if applied when there was the constellation of the dog.

While the mask did its effect, he proceeded to shave, because a charming woman had to have a body which were not present " bristly stinging hairs ," as Pliny the Elder warns.

To this end, nothing superfluous should be left on or under the arms or legs or other parts of the body, then resorted to the use of waxing and depilatory creams "the psilothrum " and " dropax " were made based on colophony, resin, wax and caustic substances, dissolved in oil. It also appealed to the tweezers, called " valsellae , usually metal, but also found in gold and silver, of various sizes and shapes, with which they pursued and eliminate even the most unruly hair.
After this part of the preparation could move to the trick itself. To this end
the Roman matrons could count on a rich arsenal of cosmetics, perfumes, balms and ointments, which is preparing a host of " ointment" was used, with their rich and sophisticated shopping places in the City , concentrated in Thotiarius and Vicus Vicus ointment in Velabro.

The various types of cosmetics were kept in special boxes comparable to our present-day beauty-case, but much more ornate and sophisticated, they were kept as small safes, because it contains the secrets of the beauty of their own.

Inside, bottles, blown glass, glass paste, terracotta and alabaster, shells and amber were the containers for magical substances which adorned women.
We started with a base of foundation, mainly composed of lead carbonate or white lead mixed with honey or other body and fats, and place it on the skin or colored with saltpeter, dregs of wine or red ocher, then spread evenly in a thick layer.
These drugs were quite toxic, and it was well known to the Romans but had no intention of giving up their research and expensive substances to make themselves beautiful, inspiring in their obsession with this sarcastic criticism Latin poets and playwrights who do not skimp venomous and sarcastic criticism of these expensive practices of women.


" curls, makeup, rouge, makeup and teeth you bought. By the same money you bought a new face ," said Lucilio since the second century BC, very little cavalierly, in the sixteenth book of his Satires.

Martial is no less scathing: " Wherever you walk, do you think that Cosmo (ed., Cosmo was the best known contemporary perfumer Martial) is moving and that brought out a profusion of fragrant essences from a shaken bottle. Do not I go Gellia, that you take pleasure in these foreign nonsense. You know that my dog could be so fragrant! "(epigrams, 3.559).


Ovid does not seem to be more accommodating, even if it is generous with advice.

" But the lover will not ever grasp with the jars of your cream . Art that makes you beautiful is the secret. Who does not see you sick in the dregs strewn all over the face, when you heavy drips and runs between the two warm breasts? And the stench ESIP (editor's note, type of lanolin) issues, pressing the rough there llo foul of a goat, even if it is stinking from Athens! And when you do not approve of public v'applicate in mixtures of deer marrow or there frigates before all the teeth. These treatments are fine, but they are ugly to look. Often what we like, like when it's done, while you are sorry. "(Ars amateur , 209-218).


As I said all these poisonous barbs in nothing discouraged the matrons, who continued their preparations for marking the eyebrows with antimony powder, said" stibium "or carbon black," soot, his eyes makeup eyeshadow with green products with malachite, and blue, the result of blue pulverized. For the lips instead of lipsticks were made from mulberry tree, from the kelp, extracts from animals and vegetables, or minerals, such as cinnabar, red lead and red chalk.

To give a touch of health, as I said once, her cheeks lay a clay colored knobs that gave in rather sharp contrast with the white of the rest of the skin.

The trick, preparation, preparation of these substances, was entrusted to the expert hands of the " Cosmetae " specially trained slaves who in turn chose the most appropriate dress of the lady tricks by dissolving the various ingredients saliva and mix together in small containers with the help of special spatulas, spoons and mixing in wood, bone, ivory, glass and metal.

The final touch of class were painting a small mole on the corner of the cheek and a sprinkling of glitter on the skin to make it shine.


a separate discussion deserve the scents used: you do not yet know the method of distillation, and the essences were obtained by soaking and squeezing through a bath of substances from which to extract the essence, in olive green olives or juice of unripe grapes, along with dyes to give a handsome oils. Some of the perfumes were special for our tastes, such as Rhodium , the essence derived from rose petals, the ' Illirium and Susinum obtained various species of lilies of Pompeii, the Mirtum-laurum from the laurel and the myrtle, Melinon from quinces, the Iasminum jasmine. From Egypt came the Metopium , whose ingredients included too expensive "Balm of Judea." To be noted that the species reached prohibitive prices since the first century AD, when a pound of perfume cost more than 400 dinars. A scandalous waste, according to Pliny, because such riches were squandered " smoke pro", with no effect other than to satisfy the pleasure of others, as " who is not aware of being fragrant .


But you would not believe that the work of slaves had ended at this point. Why indeed can be said that here was the hardest part, that the preparation of the matron of the hair to face the world. The treatment of this particular sector was entrusted to " Ornatrix ", forced to deal with painstaking care scaffolding of curls, braids, ribbons and pins, hoping to fully satisfy the their master, otherwise the craziest of the ire pretentious matrons. were various types of hair styles over the centuries that followed: the hair simply brushed back, close the neck or swollen divided into sections (melon hairstyle) start imperial age, to lavoratissima elevations covered with curls made with a hot iron, the Calamistrum .

From the second century AD and then add tiaras, ribbons, pins of gold and silver, the latter mostly hollow inside, sometimes containing poison, and also used as a defense and offense, and a wireless network gold was used to collect the hair behind, and that was missing when he could be replaced with ribbons and rosettes.

When they were very lucky, the ornatrix possessed a bald lady who then resorted to the use of wigs, more elaborate, but that could be prepared calmly and without a head in complaining to the length of the work and the pain of any maneuver. The hair was imported from India (when blacks) and northern Europe (where blonde).

we appeal to the use of dyes, both wigs for poor heads, using minerals derived dall'antimonio black, combined with animal fats, or ashes of wormwood infused with rose oil and cypress leaves soaked in 'vinegar for black and brown. The red was obtained with henna, while Gallic was the potion that made her hair blonde, made from goat fat and beech ashes. Special colors such as blue or carrot were the prerogative of harlots.

A touch of color if they granted the men too, especially the blond, or even a sprinkle of gold dust, as did the emperor Commodus.

Now having completed the dressing before you go out dressed up with jewels, to give the final touch. During the Republican

any kind of luxury was forbidden by law, living in an austerity of manners and customs, but in 193 BC, the women formed a coalition against the hardness resulting in a softening of the uses and at the end Julius Caesar passed a law regulating the use of pearls.

The goldsmiths, who by the end of the Republican multiplied, they began working on Greek and Etruscan designs. Gradually these artisans perfected their art, importing workers from the east, using different techniques and imported materials. These were divided into Caesellatores , Inauratores , Anu larii , B ractearii (the latter fought very thin gold leaf between two layers of leather) and Margaritari (which deals with processing pearls). And in addition to pearl introduced the use of rubies, emeralds, diamonds, topaz, sea water, glass, amber from the Baltic.

more rich and powerful were the matrons, who wore more jewelry this should show their importance. Caligula's third wife, Lollia Paulina, appeared at an event with various jewels that were to have an overall value was around four million sesterces, as Pliny the Elder tells us.

The jewels used in the ancient world were the rings, bracelets, the hours cchini, brooches and necklaces. After the introduction of the worship of the goddess Isis, is often used the image of snake, gold bracelets, made with lots of eyes and scales in molten glass or precious stones, to be worn on the forearm or as rings.

The series, however, was the most important jewel, being the first to be seen, it is placed on the chest of the matron. The shirts could be larger or smaller ring or skeins of wires twisted together, or formed by folding strips of gold and silver. Could be illustrated by the mountings of precious stones or gold coins, and end with a pending big and heavy which gave a sense of balance and stability to the composition. These collections could reach 40 cm, and were definitely heavy. In a

to mba was found a series of eight feet, weighing a pound used as cintum , with special weaves around the chest, armpits and the waist. The earrings were made of any kind and shape: they had forms of animal hearts, amphorae, faces, suns, half moons, rosettes and what else. The famous Crotali , constructed from more that ended with a pearl pendant, named for the noise produced pearls slamming each other with the movement.

And in the end it was ready to quit, but do not get your hopes up it was all over it. Even at this point because we went to the spa to finally do the washing, so the trick was intended to ruin. To this end, the tricks were contained in boxes, so follow the matron in her movements. The trick was done in the morning, looked back after the spa and SFAC at night before going to bed, but the methods used to remove the heavy layer there is now nothing then it is likely that they used water and oil, to start with face masks.





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September 5

official meeting

"NO FAN OF THE CARD - YES to the amendment of Article 9"

Rome Saturday, September 5 10:00 -
Viale Tor di Quinto (Rome area)

segito A meeting took place nela city of Latin America where, much to our amazement there was an influx of fans from all over Italy who have shown desire to fight and not surrender to new forms of repression of the Italian State, it was already decided as most of you know, to fight this battle all together by putting deck rivalry, parochialism and political colors. The meeting of Latin

thanks to the great response of the Italian Ultras who came from all over the country with ideas to offer and want to fight for the protection of the nost "BE", and especially thanks to the participation of the pool of lawyers that the vast majority of us has finally clarified the ideas about what is the "Card of the Fan" and what may be the forms to counter its advent, has given us the desire and the strength of rtirovarci for another great meeting in the capital .

within a few months to get everything back in motion toward the common goal.

This next meeting place will serve us all to take a definitive position, to be held to hear and we said to block or file the forms that characterize the "Pass of the fans." With the conviction and certainty that any organized group and / or tioseria will bring with him a real and viable project to evaluate and implement all together, invite you to participate without indulging and existential doubts that too many times have slowed the race of 'Being Ultras ".


- Latina - Tivoli - Curva Sud Roma-Viterbo - Lazio Curva Nord -

Monday, August 10, 2009

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SCARF IN ROME TO NAIL? DO NOT FORGET TO TORCH

You said you would put in a reserve build houses and tents for us sorcerers.
I do not want these things, I was born on the prairie, where the wind blows free and there is nothing that breaks the sun's rays, I was born where there are no fences and where all things breathe freely.
I want to die there and not between the walls.
(Ten Bears - Comanche Chief)

ultras I was born. I lived most of my life ultras. I chose to be such not subject to the rules, not to put the fantasy stakes. I held tight in his hands the megaphone and gave voice to my teammates. I raised powerful banner that never end with the colors of my passion to confuse them in the sky. I gave time to the frantic drum rolls. I took their places in the curve without number. I sang under the incessant rain and I did it in the hot sun. I ground kilometers of roads and highways in full freedom, and on Sundays in Tolfe of sandwiches and coffee to the motorway services. I designed and built choreography, painting banners and colorful walls. I rejoiced and cried for my colors. I held between the closed hand in hand torches and Fumone and saw the faces of my comrades in hiding quell'oblio.
I have lived all this. Now they want
ghettoization. They have reduced our passion for pure commercial product. The pressing business has limited our dreams. A Minister of the North of our Banana Republic has decided to cancel for "decree", behind the deafening silence of the media and the whole Italian political class.
games on Saturdays, Mondays, midweek, at different times. Must satisfy the lobby television. The god of money above all else. Tickets names and places strictly personal. Schedule closed to guests. Matches behind closed doors. Turnstiles at the entrances as if we were animals going to slaughter. Banners to be authorized and certified. Drums prohibited. Fumone and torches are prohibited. Flags with drawings prohibited. Megaphones prohibited. Warnings and complaints in clusters. Stages banned for life. Obligation to sign on to the police station.
This football does not belong to my story ultras and the dignity of a free man.
ultras continue to be a different because I do not know and could not be.
And if this "piece of fan" will become mandatory ultras then my story ends here.
You can not close a life lived in freedom and relegate the corner of a dream small, gray and empty the card faded.
I'm not there.
Paul of fedayeen CASSINO 1977

Wednesday, August 5, 2009

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visit: The National Archaeological Museum of Villa Giulia

What Villa Giulia is one of the greatest archaeological museums dedicated to Etruscan culture, coupled with the findings of that Falisca, and a visit to do for those who are absolutely interested in these topics.
Inside collected testimonies of these two cultures and in the period from the Iron Age to Roman times, especially in the area between Tuscany and the Tiber. The materials that are exposed are made according to a topographical criteria that include areas with ono Vulci Bisenzio, Veii, Cerveteri and Pyrgi, plus a couple of rooms dedicated to Palestrina and Umbria.
The museum in its together is a truly unique experience, but the feeling you get in front of some of history's most famous artifacts of archeology Etruscan are absolutely indescribable.
I am speaking in particular of the "Sarcophagus of the Spouses " a unique work of superb craftsmanship
which moves to the fineness of the workmanship, for the sense of pa that there trasmetton or alter their faces, and for the preservation ion perfect that did come up today an absolute masterpiece.
Then there is "the Apollo of Veii "
the polychrome terracotta statue is a masterpiece of Etruscan art in the late sixth century BC, another wonderful work that gives us a wealth of information really unique, both on the sti of sculpture and painting of the period on clothing of the period. A work of an expressive and emotional plasticity that leaves you enchanted.
Last but not least, There are
the "Gold Foil Pyrgi ", a sort of Rosetta stone , and that, quoting written in Etruscan and n Phoenician help the understanding of a language that finally is increasingly discovering, that is the Etruscan writing.
In their delicacy, fragility and value are so high that ì not apparent from the simple to see those small engraved plates, but that brings us back to an ancient time and there open the doors to its understanding. But I know
no infi nite objects on which you can lose hours of careful observation for their finesse and beauty: masonry on the gable topped by geese Vulci kit bronze Tomb of the Four Fountains at Veii, the truck and the ceremonial urn with figures dancing on the shoulder and on the cover, from Bisenzio, Sardinian bronze by the famous omaggiante Vulci the beautiful golden kotyle with handles decorated with figures of sphinxes finished granulation, together with all the precious furnishings in gold, silver, ivory and bronze gravestone Preneste complex, the first production of bucchero first and the Etruscan-Corinthian vases. And I could go on for pages describing the wonderful exhibits, but it's much better to go to see them in person.


In addition, in these days, until September, is held in the rooms is also a connection to the world of comics who tried to popularize the culture of the past by bringing the pages of a comic book stories of some Etruscan setting I must say that I dislike him very style in which they are made, but I appreciate the effort that might allow a better and greater use of so great a treasure of our past.

Enjoy your visit.

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visit: the archaeological museum in Grosseto

In these days of Grosseto at the local archaeological museum - a museum that promise to be nice to visit whatever - you're taking a very interesting exhibition.
This is the exhibition "THE LORDS OF THE MAREMMA: Elites ETRUSCAN AND BETWEEN VETULONIA volcano. "
The exhibition is positioned on two sides of the salt (and sorry to have only two) and sports in an environment designed and attractive, with low lights and background music , two hundred artifacts from archaeological sites in Maremma, usually held at the National Archaeological Museum of Florence, and, most importantly, usually not exposed to the public.
It is unique, absolutely wonderful telling of the life and death of Etruscan princes during the heyday of Rasna, said "Orientalizing period" between the seventh and sixth centuries. av anti Christ.
Let's talk about a particular period in which overlook the little aristocracy in the Etruscan towns of Maremma, in which the influence becomes important eastern entering the taste of everyday life, both for the dress to the decorations that still today we can admire.
To show these influences, be traced today in the graves of those ancient princes, were taken into consideration some sites, each in his own exemplary way, places in the area between the high and low Maremma Populonia Vetulonia, Roselle, La Marsiliana The Albegna Pitigliano-hill to the hole.
Crowning the exhibition catalog was published in a beautiful, full color, complete with photos and a description of cards dedicated to each pr free exposition, with all the news about the date of discovery, of creation, the origin and location of current conservation.
The book is sold directly to the museum book store at a price of 20.00 euro, but I can assure you that it's worth it and that is a must in the library of a young archaeologist with a passion. Enjoy your visit and enjoy reading