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SCARF IN ROME TO NAIL? DO NOT FORGET TO TORCH

You said you would put in a reserve build houses and tents for us sorcerers.
I do not want these things, I was born on the prairie, where the wind blows free and there is nothing that breaks the sun's rays, I was born where there are no fences and where all things breathe freely.
I want to die there and not between the walls.
(Ten Bears - Comanche Chief)

ultras I was born. I lived most of my life ultras. I chose to be such not subject to the rules, not to put the fantasy stakes. I held tight in his hands the megaphone and gave voice to my teammates. I raised powerful banner that never end with the colors of my passion to confuse them in the sky. I gave time to the frantic drum rolls. I took their places in the curve without number. I sang under the incessant rain and I did it in the hot sun. I ground kilometers of roads and highways in full freedom, and on Sundays in Tolfe of sandwiches and coffee to the motorway services. I designed and built choreography, painting banners and colorful walls. I rejoiced and cried for my colors. I held between the closed hand in hand torches and Fumone and saw the faces of my comrades in hiding quell'oblio.
I have lived all this. Now they want
ghettoization. They have reduced our passion for pure commercial product. The pressing business has limited our dreams. A Minister of the North of our Banana Republic has decided to cancel for "decree", behind the deafening silence of the media and the whole Italian political class.
games on Saturdays, Mondays, midweek, at different times. Must satisfy the lobby television. The god of money above all else. Tickets names and places strictly personal. Schedule closed to guests. Matches behind closed doors. Turnstiles at the entrances as if we were animals going to slaughter. Banners to be authorized and certified. Drums prohibited. Fumone and torches are prohibited. Flags with drawings prohibited. Megaphones prohibited. Warnings and complaints in clusters. Stages banned for life. Obligation to sign on to the police station.
This football does not belong to my story ultras and the dignity of a free man.
ultras continue to be a different because I do not know and could not be.
And if this "piece of fan" will become mandatory ultras then my story ends here.
You can not close a life lived in freedom and relegate the corner of a dream small, gray and empty the card faded.
I'm not there.
Paul of fedayeen CASSINO 1977

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visit: The National Archaeological Museum of Villa Giulia

What Villa Giulia is one of the greatest archaeological museums dedicated to Etruscan culture, coupled with the findings of that Falisca, and a visit to do for those who are absolutely interested in these topics.
Inside collected testimonies of these two cultures and in the period from the Iron Age to Roman times, especially in the area between Tuscany and the Tiber. The materials that are exposed are made according to a topographical criteria that include areas with ono Vulci Bisenzio, Veii, Cerveteri and Pyrgi, plus a couple of rooms dedicated to Palestrina and Umbria.
The museum in its together is a truly unique experience, but the feeling you get in front of some of history's most famous artifacts of archeology Etruscan are absolutely indescribable.
I am speaking in particular of the "Sarcophagus of the Spouses " a unique work of superb craftsmanship which moves to the fineness of the workmanship, for the sense of pa that there trasmetton or alter their faces, and for the preservation ion perfect that did come up today an absolute masterpiece.
Then there is "the Apollo of Veii " the polychrome terracotta statue is a masterpiece of Etruscan art in the late sixth century BC, another wonderful work that gives us a wealth of information really unique, both on the sti of sculpture and painting of the period on clothing of the period. A work of an expressive and emotional plasticity that leaves you enchanted.
Last but not least, There are the "Gold Foil Pyrgi ", a sort of Rosetta stone , and that, quoting written in Etruscan and n Phoenician help the understanding of a language that finally is increasingly discovering, that is the Etruscan writing.
In their delicacy, fragility and value are so high that ì not apparent from the simple to see those small engraved plates, but that brings us back to an ancient time and there open the doors to its understanding. But I know
no infi nite objects on which you can lose hours of careful observation for their finesse and beauty: masonry on the gable topped by geese Vulci kit bronze Tomb of the Four Fountains at Veii, the truck and the ceremonial urn with figures dancing on the shoulder and on the cover, from Bisenzio, Sardinian bronze by the famous omaggiante Vulci the beautiful golden kotyle with handles decorated with figures of sphinxes finished granulation, together with all the precious furnishings in gold, silver, ivory and bronze gravestone Preneste complex, the first production of bucchero first and the Etruscan-Corinthian vases. And I could go on for pages describing the wonderful exhibits, but it's much better to go to see them in person.


In addition, in these days, until September, is held in the rooms is also a connection to the world of comics who tried to popularize the culture of the past by bringing the pages of a comic book stories of some Etruscan setting I must say that I dislike him very style in which they are made, but I appreciate the effort that might allow a better and greater use of so great a treasure of our past.

Enjoy your visit.

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visit: the archaeological museum in Grosseto

In these days of Grosseto at the local archaeological museum - a museum that promise to be nice to visit whatever - you're taking a very interesting exhibition.
This is the exhibition "THE LORDS OF THE MAREMMA: Elites ETRUSCAN AND BETWEEN VETULONIA volcano. "

The exhibition is positioned on two sides of the salt (and sorry to have only two) and sports in an environment designed and attractive, with low lights and background music , two hundred artifacts from archaeological sites in Maremma, usually held at the National Archaeological Museum of Florence, and, most importantly, usually not exposed to the public.

It is unique, absolutely wonderful telling of the life and death of Etruscan princes during the heyday of Rasna, said "Orientalizing period" between the seventh and sixth centuries. av anti Christ.
Let's talk about a particular period in which overlook the little aristocracy in the Etruscan towns of Maremma, in which the influence becomes important eastern entering the taste of everyday life, both for the dress to the decorations that still today we can admire.
To show these influences, be traced today in the graves of those ancient princes, were taken into consideration some sites, each in his own exemplary way, places in the area between the high and low Maremma Populonia Vetulonia, Roselle, La Marsiliana The Albegna Pitigliano-hill to the hole.
Crowning the exhibition catalog was published in a beautiful, full color, complete with photos and a description of cards dedicated to each pr free exposition, with all the news about the date of discovery, of creation, the origin and location of current conservation.
The book is sold directly to the museum book store at a price of 20.00 euro, but I can assure you that it's worth it and that is a must in the library of a young archaeologist with a passion. Enjoy your visit and enjoy reading